Asian material culture

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A two-factor structure, rather than the original three-factor structure, was proposed for China by means of confirmatory factor analysis. Direct evidence showed that the dimensions of success and happiness could be merged together. Both explicit and implicit methods were used to examine the relationship between success and happiness based on possession. The results also showed that for Chinese people, success to an extent means happiness, while the converse is not necessarily true. Chinese are much more concerned about social evaluation than their own feelings, and this cultural characteristic is reflected in our findings.
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The Structure of the Chinese Material Value Scale: An Eastern Cultural View

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Browse In Material Culture | Oxford Research Encyclopedia of Asian History

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Material Culture

This richly illustrated volume offers the reader unique insight into the materiality of Asian cultures and the ways in which objects and practices can simultaneously embody and exhibit aesthetic and functional characteristics, as well as everyday and spiritual aspirations. Though each chapter is representative, rather than exhaustive, in its portrayal of Asian material culture, together they clearly demonstrate that objects are entities that resonate with discourses of human relationships, personal and group identity formations, ethics, values, trade, and, above all, distinctive futures. Marianne Hulsbosch is a senior lecturer and course director of visual arts and design education at the University of Sydney. Elizabeth Bedford is an independent scholar who has lectured at the University of Hong Kong and the University of Sydney.
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Volltext herunterladen Bibtex-Export Endnote-Export. Abstract This exciting, richly illustrated volume gives the reader a unique insight into the materiality of Asian cultures and the ways in which objects and practices can simultaneously embody and exhibit aesthetic and functional characteristics, everyday and spiritual aspirations. Material culture is examin
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